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Chinese Architecture and the Beaux-Arts
作者：
Jeffrey W. Cody, Nancy S. Steinhardt and Tony Atkin
分類：
社會•人文•史地
／
歷史地理
出版社：
香港大學出版社
出版日期：2010/12/1
ISBN：9789888028719
書籍編號：kk0317731
頁數：408
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Chinese Architecture and the Beaux-Arts In the early twentieth century, Chinese traditional architecture and the French-derived methods of the Ecole des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the Ecole des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two “met” in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history.
Jeffrey W. Cody Jeffrey W. Codyis senior project specialist in the Education Department at the Getty Conservation Institute in Los Angeles. Nancy S. Steinhardt Nancy S. Steinhardtis professor of East Asian art and curator of Chinese art at the University of Pennsylvania. Tony Atkin, FAIA, Tony Atkin, FAIA,is adjunct associate professor of architecture at the University of Pennsylvania's School of Design and a principal of Atkin Olshin Schade Architects in Philadelphia and Santa Fe, New Mexico
漫遊歐洲中古時代：為
成為幽魂的總統：一段
通往投降之路：三個男
追尋北一：台北第一高
味蕾打開新世界：用一
成為歐洲人：親身經歷
張力與限界：中央蘇區
波峰與波谷：秦漢魏晉
東晉門閥政治
冰與血之歌：北歐千年
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