µn¤J
¡U
µù¥U
¡U
·|û¤¤¤ß
¡U
µ²±b
¡U
°ö°V½Òµ{
Å]ªk§Ì¤l
¡U
¦Û¸ê¥Xª©
¡U
¹q¤l®Ñ
¡U
«ÈªA¤¤¤ß
¡U
´¼¼z«¬¥ßÊ^·|û
®Ñ¦W
¥Xª©ªÀ
§@ªÌ
isbn
½s¸¹
5050Å]ªk²³Äw
|
NG®Ñ«°
|
°ê»Ú¯Å«~µP½Òµ{
|
Àu´f³qª¾
|
ÅRÆE^¶¯µ¼Öºë¿ï
|
°ò¦¦N¥L°V½m(¤@)¡G2012¤¤¤å²Ä¤Tª©(ªþDVD)
¡D
Àï¤h¼Ö²z
¡D
¼wºû¦w¯Ç¡G«µ»ï¦±¡E§@
¡D
ÂħJ´µ·¨C¤é½m²ß¡i³ü
¤å¾Ç¤p»¡
¤å¾Ç
¡U
¤p»¡
°ÓºÞ³Ð§ë
°]¸g§ë¸ê
¡U
¦æ¾P¥øºÞ
¤H¤åÃÀ§{
©v±Ð¡Bõ¾Ç
ªÀ·|¡B¤H¤å¡B¥v¦a
ÃÀ³N¡B¬ü¾Ç
¡U
¹q¼vÀ¸¼@
Ày§Ó¾i¥Í
ÂåÀø¡B«O°·
®Æ²z¡B¥Í¬¡¦Ê¬ì
±Ð¨|¡B¤ß²z¡BÀy§Ó
¶i׾Dzß
¹q¸£»Pºô¸ô
¡U
»y¨¥¤u¨ã
Âø»x¡B´Á¥Z
¡U
x¬F¡Bªk«ß
°Ñ¦Ò¡B¦Ò¸Õ¡B±Ð¬ì¥Î®Ñ
¬ì¾Ç¤uµ{
¬ì¾Ç¡B¦ÛµM
¡U
¤u·~¡B¤uµ{
®a®x¿Ë¤l
®a®x¡B¿Ë¤l¡B¤H»Ú
«C¤Ö¦~¡Bµ£®Ñ
ª±¼Ö¤Ñ¦a
®È¹C¡B¦a¹Ï
¡U
¥ð¶¢®T¼Ö
º©µe¡B´¡¹Ï
¡U
¨î¯Å
ÂħJ´µ·¨C¤é½m²ß¡i¶L¡j¡Gµ¦â»P¹B¦Þ
Daily Exercises for Saxophone, volume two ¡V Tone and Tonguing
§@ªÌ¡G
李承¨|
¤ÀÃþ¡G
ÃÀ³N¡E¬ü¾Ç
¡þ
µ¼Ö»RÁÐ
ÂO®Ñ¨t¦C¡GÂħJ´µ·¼ÖÃШt¦C
¥Xª©ªÀ¡G
¥@¬É¤åª«
¥Xª©¤é´Á¡G2012/1/1
ISBN¡G9789575613389
®ÑÄy½s¸¹¡Gkk0330979
¶¼Æ¡G48
©w»ù¡G
250
¤¸
Àu´f»ù¡G
85
§é
213
¤¸
®Ñ»ùY¦³²§°Ê¡A¥H¥Xª©ªÀ¹ê»Ú©w»ù¬°·Ç
¼È°±³c°â
¼ÈµL¨ÑÀ³°Ó¡G´M§ä¨Ñ³f°Ó¤¤(¤]¦³¥i¯à¥Xª©ªÀ¤wµ²§ô)¡C
¹ÎÁʼƳ̧C¬° 20 ¥»¥H¤W
µû»ù¼Æ¡G
(½Ð±N·Æ¹«²¾¦Ü¬P¬P³B¶i¦æµû»ù)
¥Ø«e¥§¡µû»ù¡G
¤å¦r³sµ²
½Æ»s»yªk
ÂħJ´µ·¨C¤é½m²ß¡i¶L¡j¡Gµ¦â»P¹B¦Þ
¹Ï¤ù³sµ²
½Æ»s»yªk
¤À
¨É
¤º®e²¤¶
§@ªÌ¤¶²Ð
¦PÃþ±ÀÂË
ÂÄ克斯·每日練習¡i¶L¡j¡Gµ¦â»P¹B¦Þ ☆ 中^對照‧Âù»y版本 ☆ 對管樂演奏ªÌ¦Ó¨¥¡A¡uµ¦â‧嘴型¡v¡B¡u¹B¦Þ¡v¡B¡u手指¡v是最«n的三¶µ基本¯à力¡C在°V練¹L程中¡A它們各¦Û獨立¡F也就是»¡¡A¡uµ¦â‧嘴型¡v的控制¶i步了¡A並無法幫助¡u手指¡v¶i步¡A反之亦然¡C因此³o三¶µ基本¯à力必¶·分¶}°V練¡C 在¡mÂÄ克斯·每日練習‧壹¡n中¡A各式µ¶¥和琶µ是°w對¡u手指¡v的°V練¡C在¡m每日練習‧¶L¡n中¡A¡i第一³¡分¡j大¸õ»P泛µ練習是°w對¡uµ¦â‧嘴型¡v的°V練¡A¡i第二³¡分¡j¹B¦Þ練習是°w對¡u¹B¦Þ¡v的°V練¡C¡i第三³¡分¡j練習曲»P¡iªþ¿ý¡j名曲技巧片段¡A則是三¶µ¯à力的綜合應用¡C ☆ English-Chinese Bilingual Edition ☆ For all wind instrument players, Tone/Embouchure, Tonguing, and Finger are three important fundamentals. They can be viewed as independent techniques during training. In other words, when one practices Tone/Embouchure and improves on it, the Finger won't get any benefit and vice versa. Therefore, these three fundamentals should be learned separately. ?The Daily Exercises for Saxophone, volume one?, [Scales] and [Arpeggios] focuses on Finger. ?Volume two?, [Wide leaps] and [Overtones] (Part I) are for Tone/Embouchure, and [Tonguing] (Part II) is a Tonguing course. [Etudes] (Part III) and [Technical extracts from masterpieces] (Appendix) are combination of three fundamentals.
Áä»P¤§¥~¡Gµ¼Ö¬O¤ßÆF
Surrender¡G
§Ú·Q§âºq°Û¦n¡G¤@¥»¨S
µÓºq¡G©PÂŵӻP¾Ô«á»O
§ø¤W¨pÂà ¤j½Ã¡D¥vªF
©Pµ½²»Kit Arm
¤â·µ^°ò¦±Ð¥»¡Ðªì¯Å
¤â·µ^°ò¦±Ð¥»¡Ð¤¤¯Å
«ü¼u¦nºq(¤Tª©)
Ãö©óµ¼Ö¡AÀ´³o¨Ç´N¥i
¬°¤F«O»Ù±zªºÅv¯q¡A·sµ·¸ôºô¸ô®Ñ©±©ÒÁʶRªº°Ó«~§¡¨É¦³¨ì³f¤C¤ÑªºÅ²½à´Á¡]§t¨Ò°²¤é¡^¡C°h¦^¤§°Ó«~¥²¶·©óŲ½à´Á¤º±H¦^¡]¥H¶lÂW©Î¦¬°õÁp¬°¾Ì¡^¡A¥B°Ó«~¥²¶·¬O¥þ·sª¬ºA»P§¹¾ã¥]¸Ë(°Ó«~¡Bªþ¥ó¡B¤º¥~¥]¸Ë¡BÀH³f¤å¥ó¡BÃØ«~µ¥)¡A§_«h®¤¤£±µ¨ü°h³f¡C