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Peter Jones：Solar Wind
分類：
藝術•美學
／
綜論
出版社：
北星
出版日期：1994/1/1
ISBN：090589555X
書籍編號：bk0011813
頁數：292
定價：
499
元
優惠價：
95
折
474
元
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<a href='https://www.silkbook.com/book_detail.asp?goods_ser=bk0011813'><img src='https://www.silkbook.com/mall_image/bk/bk0011813.jpg' ALT='Peter Jones：Solar Wind' height='120' width='90'></a>
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原價700元 <FONT COLOR="#AA0000">【Contents】</FONT> 1. Phssthpok 2. The Second Experiment 3. By The Pricking Of My Thumb 4. Apparitions 5. Weird Legacies 6. Jumbee(And Other Uncanny Tales) 7. Out Of The Body Experiences 8. A Castle of Iron 9. Scenaptic Manhunt 10. Dark Twin 11. Chalk Giants 12. Warlock in spite of Himself 13. The Birth Grave 14. The Storm Lord 15. The Complete Enchanter 16. The Enchanter Completed 17. Shadowfire 18. Lucid Dreams 19. Inferno 20. Nightland 21. A Canticle For Leibowitz 22. Midworld 23. Neutron Star(Puppeteer) 24. King Kobold 25. The Fabulous Riverboat 26. Death Of The Sea King 27. The Chase 28. The Black Beast 29. The Unholy City 30. Orn Sun Gliders 31. Three Bladed Doom 32. Robert "E" Howard Omnibus "Kidnapped" 33. UFO Trek 34. The Book Of Frank Herbert 35. The Female Man 36. The Killer Mice <FONT COLOR="#AA0000">【Biography】</FONT> “Solar Wind” is a collection of pictures produced between 1974 and 1980. During this time Peter Jones took an interest in science fiction and fantasy, using available imagery to explore many of his own interests, including visual dynamics, fashion, logo design, and anatomical invention. During his last years at school, he had the good fortune to meet Robert Spearman who encouraged and assisted his progress. Because of him, he went to St. Martin’s School of Art, London, from 1971 to 1974. While in his second year studying Graphics he became interested in the novels of Larry Niven and Isaac Asimov. Subsequently he started to make imagery which had a “sci-fi” feel to it. A tutor at St. Martin’s was very taken with a small painting he had made of a chimpanzee. He thought that Puffin, the publisher of children’s books, might be interested. So he went to see them. They had just published their books on wildlife, and there were no further books of that kind to be commissioned for some time to come. However, they were publishing some science fiction. This was his real interest, and he accepted two commissions for paperback covers. In late 1973 a college friend suggested that he went to see a man at Foyles, the London bookshop. At that time he was receiving encouragement and constructive criticism from two tutors at college. His interest in science fiction grew. He spent hours in book shops studying the composition of paperback covers. The man in Foyles showed his portfolio to a Granada Publishing sales representative who then showed it to his Company’s Art Director. This book is the rest of the story.
托爾斯泰藝術論(百年
科技藝術的未來圖譜：
類博物館定向與產業
中國藝術史【全新修訂
歷史從未終結：王墨林
這些魔王級藝術家，太
帕格尼尼的手：死亡之
徐悲鴻論藝境：審美是
美學無界1994—2
美學修煉：看見不一樣
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